Kafu the Scribbler: the life and writings of Nagai Kafu, 1879-1959
Series: Michigan Classics in Japanese studies, no. 3Publication details: 1965 Center for Japanese Studies, University of Michigan Ann ArborDescription: vi, 360 pISBN:- 9780939512461
- 895.6342 S3K2
Item type | Current library | Item location | Collection | Shelving location | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|---|
Books | Vikram Sarabhai Library | Rack 44-A / Slot 2482 (3rd Floor, East Wing) | Non-fiction | General Stacks | 895.6342 S3K2 (Browse shelf(Opens below)) | Available | 178492 |
Includes bibliographical references (p. 350-352) and index.
Japanese literature has been regarded for far too long in a patronising light as 'exotic' and 'obscure'. Mention Japanese literature and the average Westerner is likely to think of Kazuo Ishiguro - a citizen of Britain who writes in English - or, if they are particularly well read, Mishima Yukio. However, anyone who actually takes the trouble to read Japanese literature will discover one of the finest and most distinguished literary traditions in the world. And within that tradition Nagai Kafu holds a small, but unique and fascinating place. Kafu wrote most of his work in the early half of the century, soon after the westernisation of Japan had properly set in, and his work is therefore full of peculiarly Japanese problems to do with the preservation or disappearance of Japanese tradition. However, Kafu's universality is his very particularity. By focusing lovingly on the details of a corner of the world's history that is disappearing before his eyes, he evokes within us all the great sadness of changes and creates a timeless sense of longing and nostalgia. Nor is that all. While his work may at first appear only relevant to a limited timeand place, it should soon be clear that his work has increasing relevance today, since it questions the vain ambitions of materialism and the ethics of the 'progress' that are uglifying the world and laying waste to older, more spiritual and picturesque traditions. This volume contains a fascinating biography of the man and Seidensticker's translations of several of Kafu's stories. The stories are undoubtedly the highlight of the volume, and I would urge the reader to look to these before reading Seidensticker's arrogant and narrow-minded comments in the biography.
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