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Beyond the World of Apu: the films of Satyajit Ray

By: Material type: TextTextPublication details: Hyderabad Orient Longman Pvt.Ltd. 2008Description: xi, 476 pISBN:
  • 9788125035107
Subject(s): DDC classification:
  • 791.4375092
Summary: In his Introduction, Hood clearly states his objectives. This book] aims to be no more than a critical examination of 29 works of art, based simply on the texts themselves. It is not in any way biographical, nor does it make any claim to offer film history. Beyond the World of Apu is a fine demonstration of these assertions. In its ordered structuring and clear setting out of goals, it resembles a lengthy specialised thesis in places, but itzs also an accessible work that avoids academic jargon or the sort of critspeak that might distance the casual (but engaged) viewer of Rayzs films. My own litmus test for the bookzs effectiveness was that I was equally engrossed by the essays on the films I havenzt seen (or remember dimly) as on the ones I have seen. Hoodzs book lacks the intensely personal touch of Robin Woodzs The Apu Trilogy (sadly out of print now), but as a comprehensive study of Rayzs career it belongs in the top tier. Despite its occasional formalness, this is a warm and inclusive work of movie analysis, a fitting tribute to the art of a man whose work is characterised by affection and empathy for the human spirit.
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Item type Current library Item location Shelving location Call number Status Date due Barcode
Books Vikram Sarabhai Library Rack 40-B / Slot 2334 (2nd Floor, East Wing) General Stacks 791.4375092 H6B3 (Browse shelf(Opens below)) Available 165673

In his Introduction, Hood clearly states his objectives. This book] aims to be no more than a critical examination of 29 works of art, based simply on the texts themselves. It is not in any way biographical, nor does it make any claim to offer film history. Beyond the World of Apu is a fine demonstration of these assertions. In its ordered structuring and clear setting out of goals, it resembles a lengthy specialised thesis in places, but itzs also an accessible work that avoids academic jargon or the sort of critspeak that might distance the casual (but engaged) viewer of Rayzs films. My own litmus test for the bookzs effectiveness was that I was equally engrossed by the essays on the films I havenzt seen (or remember dimly) as on the ones I have seen. Hoodzs book lacks the intensely personal touch of Robin Woodzs The Apu Trilogy (sadly out of print now), but as a comprehensive study of Rayzs career it belongs in the top tier. Despite its occasional formalness, this is a warm and inclusive work of movie analysis, a fitting tribute to the art of a man whose work is characterised by affection and empathy for the human spirit.

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