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Reading on Dance: from 75 years of Marg

Contributor(s): Material type: TextTextSeries: From 75 years of Marg ; 74Publication details: Mumbai Marg foundation 2022Description: 143 p: ill. Includes photographsISSN:
  • 0972-1444
Subject(s): DDC classification:
  • 792.80954 M2R3
Summary: From its earliest issues, Marg has devoted considerable space to writings on dance. These were invariably accompanied by striking photographic features. In the process, Marg has played a significant role in the classicization and canonization of forms that are known today as the eight classical dances of India. In a country such as ours, replete with its complex mesh of histories, hierarchies, living traditions, languages, and regional calendars, these writings have created awareness about traditions and transitions while keeping the aesthetics of presentation as a priority. Section I | Heritage, Heredity and Arts Patronage Mulk Raj Anand , Khokar, Mohan , Vatsyayan, Kapila , Purnima Shah pp. 14-35 Section II | Regional Performances and Living Traditions Sunil Kothari , Nambiar, Balan , Khokar, Mohan , Barreto, Floriano , Chittaprasad , Tana, P. , Singh, Tayenjam Bijoykumar pp. 36-65 Section III | Presenting and Re-presenting the Classical Nair, D. Appukuttan , Khokar, Mohan , Jhaveri, Angana , Warrier, Kalamandalam Govinda , Rao, Maya , Mahanta, Pradip Jyoti , Doraiswamy, Y.G. pp. 66-97 Section IV | The Guru, Shishya and Parampara Sunil Kothari , Subrahmanyam, Padma , Sharma, Surachand , Bose, Nilmadhab , Panikkar, Chitra pp. 98-113 Section V | Dancing in Contemporary Times Hall, Fernau , Subramaniam, Arundhathi , Venkataraman, Leela , Dave, Ranjana , Sasha Waltz , Akram Khan , Navtej Singh Johar pp. 114-143 https://marg-art.org/product/UHJvZHVjdDo1NDMx
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Item type Current library Item location Collection Shelving location Call number Status Notes Date due Barcode
Books Vikram Sarabhai Library Rack 40-B / Slot 2336 (2nd Floor, East Wing) Non-fiction General Stacks 792.80954 R3 (Browse shelf(Opens below)) Available 207873

From its earliest issues, Marg has devoted considerable space to writings on dance. These were invariably accompanied by striking photographic features. In the process, Marg has played a significant role in the classicization and canonization of forms that are known today as the eight classical dances of India. In a country such as ours, replete with its complex mesh of histories, hierarchies, living traditions, languages, and regional calendars, these writings have created awareness about traditions and transitions while keeping the aesthetics of presentation as a priority.


Section I | Heritage, Heredity and Arts Patronage
Mulk Raj Anand , Khokar, Mohan , Vatsyayan, Kapila , Purnima Shah pp. 14-35

Section II | Regional Performances and Living Traditions
Sunil Kothari , Nambiar, Balan , Khokar, Mohan , Barreto, Floriano , Chittaprasad , Tana, P. , Singh, Tayenjam Bijoykumar pp. 36-65

Section III | Presenting and Re-presenting the Classical
Nair, D. Appukuttan , Khokar, Mohan , Jhaveri, Angana , Warrier, Kalamandalam Govinda , Rao, Maya , Mahanta, Pradip Jyoti , Doraiswamy, Y.G. pp. 66-97

Section IV | The Guru, Shishya and Parampara
Sunil Kothari , Subrahmanyam, Padma , Sharma, Surachand , Bose, Nilmadhab , Panikkar, Chitra pp. 98-113

Section V | Dancing in Contemporary Times
Hall, Fernau , Subramaniam, Arundhathi , Venkataraman, Leela , Dave, Ranjana , Sasha Waltz , Akram Khan , Navtej Singh Johar pp. 114-143

https://marg-art.org/product/UHJvZHVjdDo1NDMx

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