Mixing work with pleasure: my life at Studio Ghibli (Record no. 215239)

000 -LEADER
fixed length control field aam a22 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200528b 2017 ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9784866580227
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.430232092
Item number S8M4
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Suzuki, Toshio
9 (RLIN) 396772
245 ## - TITLE STATEMENT
Title Mixing work with pleasure: my life at Studio Ghibli
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc Japan Publishing Industry Foundation for Culture (JPIC)
Date of publication, distribution, etc 2017
Place of publication, distribution, etc Tokyo
300 ## - PHYSICAL DESCRIPTION
Extent 235 p.: col. ill.
Other physical details Includes bibliography
440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE
Title Japan library
9 (RLIN) 396564
500 ## - GENERAL NOTE
General note Originally published in the Japanese language under the title Shigoton Doraku Shinpan: Sutajio Jiburi no Genba by Iwanami Shoten Publishers, in 2014<br/><br/>
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Table of contents<br/><br/>Preface to the English edition<br/>Preface to the revised Japanese edition<br/>About the Japanese revised edition<br/>In place of a preface: memories never to be forgotten<br/>1. Mixing work with pleasure /​ trust means total trust: the animage era<br/>2. The importance of shared interests in relationships: meeting Isao Takahata and Hayao Miyazaki<br/>3. The importance of being the director's ally: Nausicaä of the Valley of the Wind and the founding of Studio Ghibli<br/>4. New ideas are within a radius of three meters: Hayao Miyazaki filmmaking<br/>5. Filmmaking is like tumbling all together down a slope: the philosophy and practice of Isao Takahata<br/>6. There is no end to worrying in this world: the life of Yasuyoshi Tokuma<br/>7. For making things, small companies are best:Ghibli as a "small neighborhood factory"<br/>8. The future opens up to the steady and steadfast: always think in the present tense<br/>Afterword to the original Japanese edition (2008): how films result from casual conversation<br/>Afterword to the revised Japanese edition (2014): a word about flowers<br/>Toshio Suzuki chronology<br/>Bibliography.<br/><br/>
520 ## - SUMMARY, ETC.
Summary, etc This is the story of Studio Ghibli covering the three decades following its founding in 1985 as told by Toshio Suzuki, the acclaimed producer of the box office hits Princess Mononoke, Spirited Away, and others. Based on the author’s innate curiosity about everything around him and the considerable resources that he accumulated over thirty years, it is the story of what took place behind the scenes at Ghibli films and the human tale of the staff that devoted themselves to filmmaking, told with the author’s distinctive touch and sense of humor.<br/>Suzuki’s first encounter with animation came after he joined Tokuma Shoten Publishing, where he was put in charge of launching the animation magazine Animage. It was through this magazine that Suzuki first met the genius directors Hayao Miyazaki and Isao Takahata and gained their confidence. He was the de facto producer of the cinematization of Nausicaä of the Valley of the Wind (1984), which proved to be his entrée into the world of filmmaking. Six years after the success of Nausicaa, Suzuki devoted himself entirely to Ghibli. Thereafter, he produced many films for Ghibli, in addition to those directed by Miyazaki and Takahata. Today he continues to guide the studio, reveling in the joys and sorrows of filmmaking.<br/>Thinking of producing as the work he was born to do, Suzuki looks back fondly on his life at Ghibli: “In the end, what I have enjoyed most is interacting with people. There is nothing greater than connecting with people at a profound level, to work surrounded by people you like. What more can one ask for? I met up with people like Miya-san, Takahata-san, and President Tokuma, and somehow arrived at the present day, enjoying myself along the way.”<br/><br/>https://japanlibrary.japantimes.co.jp/biography/mixing-work-with-pleasure/
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Sutajio Jiburi - Kabushiki Kaisha
9 (RLIN) 396773
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion picture producers and directors
9 (RLIN) 396774
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Japan
9 (RLIN) 396775
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Friendship
9 (RLIN) 396777
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Animation - Cinematography
9 (RLIN) 396778
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Speares, Roger
Relator term Translator
9 (RLIN) 396779
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Permanent location Current location Shelving location Date acquired Source of acquisition Cost, normal purchase price Item location Full call number Barcode Date last seen Cost, replacement price Koha item type
          Non-fiction Vikram Sarabhai Library Vikram Sarabhai Library General Stacks 29/05/2020 44 0.00 Slot 2243 (2 Floor, East Wing) 791.430232092 S8M4 201984 29/05/2020 0.00 Books

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